An exception to the hearsay rule which allows a witness to testify to the accuracy of a recording or documentation.
One of my big summer projects was An Interview With the Author Monica Zarazua.
It’s a screenprinted motion picture on thirty-eight wood tiles made for a group show at Joyce Gordon Gallery in Oak-land. That show explored intersections between the literary and visual arts and my intent for the piece was to blur the boundaries between fiction and non-fiction, creating an imaginary space for the non-imaginary author of the show’s short stories to inhabit. Here is a pdf of the show catalog beautifully put together by Xiomara Castro.
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The images used in the project, which proceeds left, right, up, and down the gallery wall, were collected from photos and video recordings produced for this work. Here’s a shitty video about one day in that process!
[iframe src=”http://player.vimeo.com/video/70608039?byline=0&color=ff0179″ width=”500″ height=”367″ frameborder=”0″ webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe> <p><a href=”http://vimeo.com/70608039″>Underwater photoshoot for a screenprint project.</a> from <a href=”http://vimeo.com/user16153940″>Jon Fischer</a> on <a href=”https://vimeo.com”>Vimeo</a>.</p> <p>A four minute video filmed during the making of the visual art piece "Interview with the Writer Monica Zarazua" by Jon Fischer. On this day of production, Fischer enlisted several adventurous friends to improvise dozens of simple movements and sequences filmed using HD video underwater in a 59°F pool. <br /> <br /> To develop the final art piece, individual images selected from single frames in the source footage were collected and reassembled to form intertwined fantastical stories that draw on motifs such as color, text, space, and movement. The result resembles something in between a period silent movie, a comic strip, and the pre-cinema locomotion studies of Eadweard Muybridge.<br /> <br /> The piece creates a story for the storyteller to inhabit. Presenting a complex structure of overlapping narratives that is generated from simple recordings of people in motion, the project explores a fluid relationship between fiction and non-fiction, in which each creates the other. <br /> <br /> Filmed by Jon Fischer and Nowell Valeri in 2013.</p>,/imframe]